PHotoESPAÑA 2025
'After All'

by Erik Vroons

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Prologue to
the Return
of The Real

Sara Muthi on the paradox of hyperreality
in the work of Paul Pfeiffer.

Foreword - International Centre for the Image

Noémie Goudal, ‘Supra Strata 2024’, behind the scenes. © Noémie Goudal. Courtesy of the artist and Edel Assanti. Photo by Noémie Goudal Studio

Noémie Goudal, Tilt.

by

Michaële Cutaya

Reclaiming Childhood: The Intimate World of Michalina Kacperak’s Soft Spot

by

Michalina Kacperak

Wet Paint by Studio Prokopiou

by

Erik Vroons

Now is the time

by

Una Mullally

A Series of Formulations—Postscript

by

Natasha Christia

Almost All the Flowers in My Mother’s Garden

by

Anna-Kaisa Rastenberger

A New Form of Worship

by

Ilaria Sponda

Harsh Salvation

by

Sara Muthi

Mountain of Salt

by

Sue Rainsford

Photography & Post-Truth Politics

by

Aidan Kelly Murphy

article

Emblematic of Black Souls

Emblematic of Black Souls

by

Irene Antonia Diane Reece

A Place of Our Own

by

Iris Hassid

This Hurts

by

Dónal Talbot

Tránsito

by

Roberto Tondopó

Ways of Seeing Algorithmically

by

Lewis Bush

Indeterminate Images

by

Kwasi Ohene-Ayeh

Wave

by

Duncan Wooldridge

On the history of colour in cinema and her use of dye transfer prints

by

Jean Curran

David Farrell: Works

by

David Farrell

Article

Between the Layers

Jean Curran on the history of colour in cinema
and her use of dye transfer prints

Vera Ryklova: Works

by

Vera Ryklova

Slowly Westward: A Journey Through a Folded Landscape

by

Mark McGuinness

Against Domestication

by

Shia Conlon

The Clearing House

by

Garry Loughlin

Hands On

by

Amelie Schüle

The Virtual Survival

by

He Yining

Aesthetic
Pipelines

by Rashi Rajguru

Emblematic
of Black Souls

by Artist name

Emblematic of Black Souls,
Irene Antonia Diane Reece

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