Footnotes
Image above by Aleksandra Szajnecka

1 Genesis I.27, Wycliffite Bible, early version, 1382.

2 Mondzain, M. (2009). Can Images Kill? Critical Inquiry, 36 (1), 20–51.

A New Form of Worship

Ilaria Sponda
10/11/2022
2
minutes to read
Article
Ilaria Sponda on Aleksandra Szajnecka's exploration of growth and oneness
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Ilaria Sponda on Aleksandra Szajnecka's exploration of growth and oneness

Our word image is straight from Latin imago, meaning copy, imitation, phantom, appearance, idea. This concept of image as likeliness, in particular, has certain roots in Christianity, if we recall the Bible words “To þe ymage of god he made hym”1 the interpretation of the creation of man in Genesis. Man is made in the image of his creator, while woman is created only from the former’s rib. Not only has the Christian creation myth gave foundation to a binary logic of identity, but also sought to maintain a monopoly over the visible and invisible: “In fact, the Christian revolution is the first and only monotheist doctrine to have made of the image the symbol of its power and the instrument of all its conquest. It convinced all the powers from East to West that the one who is the master of the visible is the master of the world and organises the control of the gaze”.2 Henceforth, people learnt, informed, tamed, and were educated through images...Read the full article in the printed issue. Get OVER Journal 3

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About
Ilaria Sponda
Ilaria Sponda is an interdependent curator, researcher and writer. After spending two years between Dublin and Lisbon, she currently lives and works in Milan. Her curatorial research aims to unveil contexts of production and circulation of art. Within these premises, she looks to deconstruct contemporary curating towards a critical mediation of art and its understanding through “friction” as a methodology. She's been published in online and printed magazines such as C41 Magazine, Coeval, Trigger, Phroom, Der Greif, Textur, Lampoon and L'Essenziale Studio among many others.
About
Aleksandra Szajnecka
Aleksandra Szajnecka is a photographer born in 1997, graduate of the Łódź Film School in Poland. In her works, she employs the topic of trash and its perception―collecting bits of rubbish, reusing it for artistic activities―as well as human contact with nature. In her creative practice, she is particularly interested in creating engaging work with autobiographical themes.
Footnotes
Image above by Aleksandra Szajnecka

1 Genesis I.27, Wycliffite Bible, early version, 1382.

2 Mondzain, M. (2009). Can Images Kill? Critical Inquiry, 36 (1), 20–51.