Footnotes
Image above: RongRong, Beijing East Village 1995 No. 43 (Zhang Huan, Ma Liuming “The Third Contact”), Photograph, 1995. Courtesy of RongRong.

Going Mainstream

Julie Chun
29/7/2021
2
minutes to read
Article
Julie Chun reports on the trends emerging in photography collecting in China
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Julie Chun reports on the trends emerging in photography collecting in China

Growing up in the suburbs of Los Angeles, I was a twenty-two year-old college graduate when I made my first art acquisition. The three black-and-white photographs I purchased featured vistas of Yosemite National Park in Northern California, echoing the elegance of an Ansel Adams’ landscape. I had acquired them from a fellow student on the campus of my university in Los Angeles and, whilst the price was high, particularly for a recent graduate, it was not unreasonable. The largest of the three prints, and still my favorite to this day, is the image of Yosemite’s half dome where the immense flat side of the rock façade slices through the picture plane in white brilliance, while the darkness of its surrounding shadows envelop the landscape...Read the full article in the printed issue. Get OVER Journal 2

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About
Julie Chun
Julie Chun is an American Art Historian based in Shanghai since 2011, where she has been critically observing and documenting the growth of the art world in Shanghai. She is a regular contributor to Yishu Journal of Contemporary Chinese Art and her work has been published in the Journal of Contemporary Chinese Art, ArtReview Asia, Art Forum China, Randian, Shanghai Daily, among others.
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Footnotes
Image above: RongRong, Beijing East Village 1995 No. 43 (Zhang Huan, Ma Liuming “The Third Contact”), Photograph, 1995. Courtesy of RongRong.